HKAIFA-R011
Comedy beyond translation.
Work with comedy creators in two languages on one awkward situation. Identify differences in status, power and taboo, then rewrite rather than translate literally.
What we will make
Two two-minute comedy scenes for different markets, local rewriting notes and screening responses.
How we will evaluate it
Record where local viewers understand, laugh or feel misrepresented; local collaborators check that stereotypes have not replaced characters.
3 days × 2 blocks · 30 days total
Proposed guest: Stephen Chow
$1,500
Apply to joinCourse programme
Hong Kong · 2026-11-14T02:00:00.000Z – 2026-12-13T09:00:00.000Z · Asia/Hong_Kong
Who this is for
Writers, directors, editors and creators ready to participate in rehearsals and audience research. Choose one accountable role in the team; previous work or a short preparation task helps the lead organise complementary working groups.
Before you begin
Bring a one-page statement of the problem, one relevant experience or work sample, and materials you have permission to use. Review the preparation brief in your workspace before the first session. The course lead coordinates roles, interviews and external reviews; permission is required before using a contributor’s material or publishing their information. You will work towards: Two two-minute comedy scenes for different markets, local rewriting notes and screening responses.
The city as a research setting
Hong Kong connects Cantonese and bilingual creative practice with regional production and screening communities. The host city is the working base; market-specific interviews and reviews involve people from the named target market, in person or remotely. Work with comedy creators in two languages on one awkward situation. Identify differences in status, power and taboo, then rewrite rather than translate literally.
1. Establish the lived problem
Work with comedy creators in two languages on one awkward situation. Identify differences in status, power and taboo, then rewrite rather than translate literally.
What you submit: A one-page agreed brief, source and permission register, participant roles and the questions the first version must answer.
2. Test consequential choices
Develop two contrasting treatments of the same problem. Rehearse, storyboard or assemble only the decisive scene; review it with the relevant contributor before extending production. Record where local viewers understand, laugh or feel misrepresented; local collaborators check that stereotypes have not replaced characters.
What you submit: Two reviewable alternatives, notes on their effects and a reasoned creative decision attributed to its author.
3. Make the agreed work
Produce and assemble the work in assigned roles. Keep sources, permissions and actual resource use with the files. Two two-minute comedy scenes for different markets, local rewriting notes and screening responses. Coaching addresses the next creative decision; tools are introduced only as needed for that delivery.
What you submit: Two two-minute comedy scenes for different markets, local rewriting notes and screening responses.
4. Review, revise and hand over
Record where local viewers understand, laugh or feel misrepresented; local collaborators check that stereotypes have not replaced characters. Complete the final revision and handover by the last scheduled day. Separate observed responses from assumptions and unresolved questions.
What you submit: The final authorised work, external review notes, revision decisions, a resource ledger and a signed account of each participant’s actual contribution.
Completion requirements
Complete all four evidence packages, an individual decision log and the final review. Attend at least 80% of collective sessions, or agree an equivalent contribution within the course period. Reviewers record whether the agreed brief was delivered, what each person actually contributed and which issues remain unresolved. Artistic disagreement is documented rather than converted into a single taste score. Participation and verified completion are distinct records; commercial results are recorded only when evidenced.
Your verified experience record
Your record identifies the course, dates, role, verified contribution and assessment outcome. It links to permitted evidence and names the issuing Academy. Issued records include the signed payload hash and stored issuance timestamp. Public visibility follows your consent and the project’s permissions. INDEX association is made only after a work has a valid INDEX record; taking a course does not itself issue an INDEX certification.